Its revival, the transformation of a ceremony nearly extinct in the 1980s into today’s turbocharged festival, coincides with the excision from national consciousness of the most important aspects of the Great War.
The Gallipoli pilgrimage provides the obvious example. The attendees at the dawn service do not ask themselves why Australians died invading a country thousands of miles away. No, that particular issue’s rendered inherently irrelevant, since the backpackers go there not to think about history but to marvel at the height of the cliffs and the sharpness of the rocks, and to feel an awe at people their own age experiencing horrors that they couldn’t imagine. The question arising from the pilgrimage is thus not ‘why did it happen?’ (a query that leads not only into history but into politics) but rather ‘what did it feel like?’, an aestheticisation of the past that’s explicitly anti-political.