so good!  some context.
KEEP IT UP QUEBEC.  YOU CAN DO IT.  ALL MY LOVE.

so good!  some context.

KEEP IT UP QUEBEC.  YOU CAN DO IT.  ALL MY LOVE.

(Source: ecolemontagnerouge, via ayiman)

f-idontcare:

someone once gave me a postcard with this image and said,
“there. this looks like you”

f-idontcare:

someone once gave me a postcard with this image and said,

“there. this looks like you”

etherforth:

I never really got why people visually translated the moon as this impeccable porcelain thing because her face is clearly jacked to shit

etherforth:

I never really got why people visually translated the moon as this impeccable porcelain thing because her face is clearly jacked to shit

(Source: amajor7)

forestfungus:

From Rebel Press in Aotearoa

forestfungus:

From Rebel Press in Aotearoa

(via januarydaze)

quickhand:

Laura’s Stitches, 2012

quickhand:

Laura’s Stitches, 2012

patchthatsweater:

three sites of invisible self-conflict (brain/wrist/cunt)

patchthatsweater:

three sites of invisible self-conflict (brain/wrist/cunt)

pearlconcubine:

riotsnotdiets:

suicideblonde:

Among the problems Nabokov’s Lolita poses for the book designer, probably the thorniest is the popular misconception of the title character. She’s chronically miscast as a teenage sexpot—just witness the dozens of soft-core covers over the years. “We are talking about a novel which has child rape at its core,” says John Bertram, an architect and blogger who, three years ago, sponsored a Lolita cover competition asking designers to do better.
Now the contest is being turned into a book, due out in June and coedited by Yuri Leving, with essays on historical cover treatments along with new versions by 60 well-known designers, two-thirds of them women: Barbara deWilde, Jessica Helfand, Peter Mendelsund, and Jennifer Daniel, to name a few. They don’t shy away from frank sexuality, but they add layers of darkness and complication. And like Jamie Keenan’s cover—a claustrophobic room that morphs into a girl in her underwear—they provoke without asking readers to abdicate their responsibility.
(via Recovering Lolita — Imprint-The Online Community for Graphic Designers)

I really love this. I love design that takes this kind of stuff into consideration. 

Great article.  There are some more amazing covers through the link.  

And I really like this one:


favourite book/least favourite pop culture presence
this article is really pretty good, don’t be mislead by the annoying pull quotes

pearlconcubine:

riotsnotdiets:

suicideblonde:

Among the problems Nabokov’s Lolita poses for the book designer, probably the thorniest is the popular misconception of the title character. She’s chronically miscast as a teenage sexpot—just witness the dozens of soft-core covers over the years. “We are talking about a novel which has child rape at its core,” says John Bertram, an architect and blogger who, three years ago, sponsored a Lolita cover competition asking designers to do better.

Now the contest is being turned into a book, due out in June and coedited by Yuri Leving, with essays on historical cover treatments along with new versions by 60 well-known designers, two-thirds of them women: Barbara deWilde, Jessica Helfand, Peter Mendelsund, and Jennifer Daniel, to name a few. They don’t shy away from frank sexuality, but they add layers of darkness and complication. And like Jamie Keenan’s cover—a claustrophobic room that morphs into a girl in her underwear—they provoke without asking readers to abdicate their responsibility.

(via Recovering Lolita — Imprint-The Online Community for Graphic Designers)

I really love this. I love design that takes this kind of stuff into consideration. 

Great article.  There are some more amazing covers through the link.  

And I really like this one:

favourite book/least favourite pop culture presence

this article is really pretty good, don’t be mislead by the annoying pull quotes

fionabearclaw:

fight dirty

fionabearclaw:

fight dirty

“automaton: the waiting hand”