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Posts tagged embroidery

Mar 9 2013

Dec 15 2011
seamsandstory:

Embroidered map of the Appalachian orogeny (mountain building event that created the Appalachians) counterposed with a diagram of mountaintop removal mining. Part of a series I’m doing about June’s March on Blair Mountain. 

seamsandstory:

Embroidered map of the Appalachian orogeny (mountain building event that created the Appalachians) counterposed with a diagram of mountaintop removal mining. Part of a series I’m doing about June’s March on Blair Mountain. 

(via besttumblr)


Dec 1 2011

catsluck:

Aurélie William Levaux

(via Craft Witch)


Sep 19 2011
lithiyummy:

PHOTO:  Major A. T. Casdagli RAOC, ‘God Save the King, F*** Hitler’ ,1941 ©Captain A. T. Casdagli  After six months held by the Nazis in a prisoner of war camp, Major Alexis Casdagli was handed a piece of canvas by a fellow inmate. Pinching red and blue thread from a disintegrating pullover belonging to an elderly Cretan general, Casdagli passed the long hours in captivity by painstakingly creating a sampler in cross-stitch. Around decorative swastikas and a banal inscription saying he completed his work in December 1941, the British officer stitched a border of irregular dots and dashes. Over the next four years his work was displayed at the four camps in Germany where he was imprisoned, and his Nazi captors never once deciphered the messages threaded in Morse code: “God Save the King” and “Fuck Hitler”  ( http://www.guardian.co.uk/lifeandstyle/2011/sep/03/tony-casdagli-father-stitching-nazis?INTCMP=SRCH )
This is REAL subversive embroidery.  Not just sewing swear words in vaguely ironic ‘bless this house’ style formats.  Can’t wait to get to the exhibition in October.

lithiyummy:

PHOTO:  Major A. T. Casdagli RAOC, ‘God Save the King, F*** Hitler’ ,1941 ©Captain A. T. Casdagli  After six months held by the Nazis in a prisoner of war camp, Major Alexis Casdagli was handed a piece of canvas by a fellow inmate. Pinching red and blue thread from a disintegrating pullover belonging to an elderly Cretan general, Casdagli passed the long hours in captivity by painstakingly creating a sampler in cross-stitch. Around decorative swastikas and a banal inscription saying he completed his work in December 1941, the British officer stitched a border of irregular dots and dashes. Over the next four years his work was displayed at the four camps in Germany where he was imprisoned, and his Nazi captors never once deciphered the messages threaded in Morse code: “God Save the King” and “Fuck Hitler”  ( http://www.guardian.co.uk/lifeandstyle/2011/sep/03/tony-casdagli-father-stitching-nazis?INTCMP=SRCH )

This is REAL subversive embroidery.  Not just sewing swear words in vaguely ironic ‘bless this house’ style formats.  Can’t wait to get to the exhibition in October.

(via textilenerd)


Aug 18 2011
faketrain:

[img: embroidered piece of fabric. fabric has a colourful dotty print. the embroidery is of the bodies of two people hanging off a tree branch with their knees hooked around the branch, feet touching a bit, bellies exposed. text reads MAKE SHIT HAPPEN with the SH in SHIT in a different colour so a second reading may see MAKE IT HAPPEN.]
MAKE (SH)IT HAPPEN (by l e n a mnop)
first time embroidering a non-abstract image instead of just text or meaningless shape.

I love this! 

faketrain:

[img: embroidered piece of fabric. fabric has a colourful dotty print. the embroidery is of the bodies of two people hanging off a tree branch with their knees hooked around the branch, feet touching a bit, bellies exposed. text reads MAKE SHIT HAPPEN with the SH in SHIT in a different colour so a second reading may see MAKE IT HAPPEN.]

MAKE (SH)IT HAPPEN (by l e n a mnop)

first time embroidering a non-abstract image instead of just text or meaningless shape.

I love this! 

(via faketrain-deactivated20110925)


May 24 2011
artinablender:

MATTHEW COX
Foot with Seeded Grass, 2010, Embroidered X-Ray!!!, 10 x 12 in.  

artinablender:

MATTHEW COX

Foot with Seeded Grass, 2010, Embroidered X-Ray!!!, 10 x 12 in.  

(via fuckyeahembroidery)


May 1 2011
genghisgenghiscohen:

mandrake, close up (by blackmountain)
a better look at the embroidery. full view here.

genghisgenghiscohen:

mandrake, close up (by blackmountain)

a better look at the embroidery. full view here.

(via hex-wife)


Apr 1 2011
look!  you can actually get a “queer scouts” patch now.  by mary tremonte.  purchase link.

look! you can actually get a “queer scouts” patch now. by mary tremonte.  purchase link.


Mar 29 2011
weeglas:

Embroidered Penguin Classics covers by Jillian Tamaki.
Lovely.

some of the things that are excellent about this:
- the fringed mane
- the patterned body
- the nice use of negative space on the right forefoot

weeglas:

Embroidered Penguin Classics covers by Jillian Tamaki.

Lovely.

some of the things that are excellent about this:

- the fringed mane

- the patterned body

- the nice use of negative space on the right forefoot


Mar 23 2011
beefranck:

The last post reminded me of this confessional sampler, stitched by a 19th century woman struggling with thoughts of suicide.
Click the image for more pictures and the complete text.

holy hell. this is… intense reading. 
been doing a lot of cross stitch lately.  I find “radical cross stitch” as a concept a bit uninspiring because I feel like it’s often approached as parody?  like ha ha, look at the incongruity, this bitter or edgy message in this traditionally saccharine medium.  but in fact (as this piece shows) embroidery in general and the cross stitched sampler in particular have a rich and complicated and often subversive history.  it’s women’s culture, women’s communication, women’s lives.  I’m more interested in modern embroidery that’s conceptualised as a continuation rather than a parody of traditional embroidery. 

beefranck:

The last post reminded me of this confessional sampler, stitched by a 19th century woman struggling with thoughts of suicide.

Click the image for more pictures and the complete text.

holy hell. this is… intense reading. 

been doing a lot of cross stitch lately.  I find “radical cross stitch” as a concept a bit uninspiring because I feel like it’s often approached as parody?  like ha ha, look at the incongruity, this bitter or edgy message in this traditionally saccharine medium.  but in fact (as this piece shows) embroidery in general and the cross stitched sampler in particular have a rich and complicated and often subversive history.  it’s women’s culture, women’s communication, women’s lives.  I’m more interested in modern embroidery that’s conceptualised as a continuation rather than a parody of traditional embroidery. 

(via tastyfake)


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