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Posts tagged gender

May 31

this is only partially connected to the discussion about rape culture and the tequila ad

radicallyhottoff:

so I’m making it a separate post—but—yeah, tequila made me think about how latinos are represented, especially in context to booze, and then all the “i don’t get it how is it rape” made me think about how people are iron clad fucking ANIMALS when it comes to knowing about what’s legal with immigrants—WHEN YOU COMMIT A CRIME, YOU DON’T GET REWARDED WITH CITIZENSHIP is the whole fucking argument. And everything from poverty to getting shot to being raped by your boss can be dismissed because IF YOU WOULDN’T HAVE COME HERE TO BEGIN WITH, NOTHING BAD WOULD’VE HAPPENED TO YOU—ie. you’re a criminal, it’s your own fault you were treated badly, you deserve what you get etc.

So it’s kind of astonishing to me to read how when it comes to *the borders around bodies* and how the body owner gets to decide who gets to cross the border and who doesn’t and under what circumstances—****SUDDENLY***** nobody can understand what the problem is with a man pretending to be another man in order to cross the sexual/body border of another human being. I mean—pretending to be a dead person so you can get their social security number is FUCKING ILLEGAL AND LOCK THEM UP THROW AWAY THE KEY EVIL EVIL CRIMINALS—pretending to be another human being entirely so you can *get laid* is….GETTING LAID! 

Don’t think we don’t all notice the blatant hypocrisy. And don’t think we don’t all know that if it was an dark skinned Latino switching identities with his brother to fuck his white girlfriend/wife—there wouldn’t suddenly be a whole SLEW of mother fuckers who understand EXACTLY how that commercial was all about rape.  

yes yes.  women’s bodies as representatives of the nation-state’s boundaries, and only white nations/bodies as worthy of protection and maintaining their physical integrity.   it’s the implicit analogy at work in patriarchal, colonial discourse about sexual violence.  sexual violence is always racialised as well as gendered. 

(via quixotess)


Apr 7

ahipstory:

“I read this passage from Butler’s essay “Violence, Mourning, Politics” a few days ago, and was undone by it:
… Perhaps one mourns when one accepts that by the loss one undergoes one will be changed, possibly for ever…I do not think, for instance, that one can invoke the Protestant ethic when it comes to loss. One cannot say, “Oh, I’ll go through loss this way, and that will be the result, and I’ll apply myself to the task, and I’ll endeavor to achieve the resolution of grief that is before me.” I think one is hit by waves, and that one starts out the day with an aim, a project, a plan, and finds oneself foiled. One finds oneself fallen. One is exhausted but does not know why. Something is larger than one’s own deliberate plan, one’s own project, one’s own knowing and choosing…
When we lose certain people, or when we are dispossessed from a place, or a community, we may simply feel that we are undergoing something temporary, that mourning will be over and some restoration of prior order will be achieved. But maybe when we undergo what we do, something about who we are revealed, something that delineates the ties we have to others, that shows us that these ties constitute what we are, ties or bonds that compose us. It is not as if an “I” exists independently over here and then simply loses a “you” over there, especially if the attachment to “you” is part of what composes who “I” am. If I lose you, under these conditions, then I not only mourn the loss, but I become inscrutable to myself. Who “am” I, without you? When we lose some of these ties by which we are constituted, we do not know who we are or what to do. On one level, I think I have lost “you” only to discover that “I” have gone missing as well.
What grief displays is the thrall in which our relations with others holds us, in ways that we cannot always recount or explain, in ways that often interrupt the self-conscious account of ourselves we might try to provide, in ways that challenge the very notion of ourselves as autonomous and in control. I might try to tell a story here, about what I am feeling, but it would have to be a story in which the very “I” who seeks to tell the story is stopped in the midst of the telling; the very “I” is called into question by its relation to the Other, a relation that does not precisely reduce me to speechlessness, but does nevertheless clutter my speech with signs of its undoing. I tell a story about the relations I choose, only to expose, somewhere along the way, the way I am gripped and undone by these very relations. My narrative falters, as it must.
Let’s face it. We’re undone by each other. And if we’re not, we’re missing something. This seems so clearly the case with grief, but it can be so only because it was already the case with desire. One does not always stay intact. One may want to, or manage to for a while, but despite one’s best efforts, one is undone, in the face of the other, by the touch, by the scent, by the feel, by the prospect of the touch, by the memory of the feel. And so, when we speak about “my sexuality” or “my gender,” as we do and as we must, we nevertheless mean something complicated that is partially concealed by our usage. As a mode of relation, neither gender nor sexuality is precisely a possession, but, rather, is a mode of being dispossessed, a way of being for another or by virtue of another.”

Judith Butler, on Mourning « zunguzungu

So good, i remember being similarly moved on first reading this passage.

that — that’s just sand in my eye


Mar 6

and another thing

people have got to stop thinking “performativity” means “performance” and then criticising “performance” theories of gender

the word doesn’t mean what you think it means, ok

it’s ok not to read or get butler et al but it’s not ok to make vicious criticisms of something you’ve never bothered to understand




Feb 15

Feb 9

“How to Write the Great American Indian Novel” by Sherman Alexie

libraryland:

All of the Indians must have tragic features: tragic noses, eyes, and arms.
Their hands and fingers must be tragic when they reach for tragic food.

The hero must be a half-breed, half white and half Indian, preferably
from a horse culture. He should often weep alone. That is mandatory.

If the hero is an Indian woman, she is beautiful. She must be slender
and in love with a white man. But if she loves an Indian man

then he must be a half-breed, preferably from a horse culture.
If the Indian woman loves a white man, then he has to be so white

that we can see the blue veins running through his skin like rivers.
When the Indian woman steps out of her dress, the white man gasps

at the endless beauty of her brown skin. She should be compared to nature: 
brown hills, mountains, fertile valleys, dewy grass, wind, and clear water.

If she is compared to murky water, however, then she must have a secret.
Indians always have secrets, which are carefully and slowly revealed.

Yet Indian secrets can be disclosed suddenly, like a storm.
Indian men, of course, are storms. The should destroy the lives

of any white women who choose to love them. All white women love
Indian men. That is always the case. White women feign disgust

at the savage in blue jeans and T-shirt, but secretly lust after him. 
White women dream about half-breed Indian men from horse cultures.

Indian men are horses, smelling wild and gamey. When the Indian man
unbuttons his pants, the white woman should think of topsoil.

There must be one murder, one suicide, one attempted rape.
Alcohol should be consumed. Cars must be driven at high speeds.

Indians must see visions. White people can have the same visions
if they are in love with Indians. If a white person loves an Indian

then the white person is Indian by proximity. White people must carry
an Indian deep inside themselves. Those interior Indians are half-breed

and obviously from horse cultures. If the interior Indian is male 
then he must be a warrior, especially if he is inside a white man.

If the interior Indian is female, then she must be a healer, especially if she is inside
a white woman. Sometimes there are complications.

An Indian man can be hidden inside a white woman. An Indian woman
can be hidden inside a white man. In these rare instances, 

everybody is a half-breed struggling to learn more about his or her horse culture.
There must be redemption, of course, and sins must be forgiven.

For this, we need children. A white child and an Indian child, gender
not important, should express deep affection in a childlike way.

In the Great American Indian novel, when it is finally written, 
all of the white people will be Indians and all of the Indians will be ghosts. 


Jan 31

femme femme a film

femmefemmefilm:

WHAT IS IT?

Femme Femme a Film (provisional title!) is a documentary about femmes. Featuring interviews, footage from femme events and footage of femmes performing, existing & collaborating.

I want it to be about femme as both a performative and gender identity. I want to find out what femme means to different people, how it works for them, how they think about it politically and personally, why and how they identify as femme. I want to find out the different ways people perform as femme. I want to make visible and heard all the different types of femmes and show all the different ways femme identity can be presented, performed and lived. I want to look at femme collaboration and break down how people perceive that working to see how it actually happens. I want to celebrate femmes and femme identity.

HOW CAN I BE INVOLVED?

This is going to be a documentary made up of your voices talking about your experiences and identities. If you’re interested in contributing please get in contact! From there we can work out a time to do an interview.

If you are organising or attending a femme-centered event sometime soon, let me know the details of what it is as I’d love to come and film it.

If you’re feeling camera shy but still want to be a part of the film there are heaps of other ways this can happen! Let me know what your worries are and we’ll talk about ways around them.

If you think this project is a neat idea but don’t identify as femme but do know heaps of other amazing femmes you think will be interested please feel free to pass this on.

I really, really, really want to represent the diversity of femme identity in this film. This is not about showing just one type of femme or one type of femme presentation/representation. If you identify as a femme some of the time, most of the time or all of the time then I want to talk to you. If you are a flamboyant femme I want to talk to you. If you are a secret femme I want to talk to you. If femme is only one fraction of your identity I want to talk to you. If femme is your life I want to talk to you. I’m not interested in policing femme identities, I’m interested in finding out what femme means to femmes.

WHERE IS THIS AMAZING THING HAPPENING?

Melbourne, Australia! Unfortunately I don’t think I can currently travel interstate to interview or film people there. But if you are interested in the project and in being interviewed or having your femme-centered event filmed then please do get in touch. I’m sure that later on/pretty soon it’ll be totally possible for me to film outside Melbourne and include femmes from all over Australia.

check it out and get in contact!  caitlin [dot] ate [at] gmail [dot] com. 

please reblog even if you’re not from Australia, it’ll be interesting to watch regardless and you most likely have followers who are. 


Jan 29

On The Argument That Trans Women Are Triggering

thepeacockangel:

This was written by someone I really respect, and I think it’s a fantastic fucking article on the importance of the inclusion of trans women in women’s only spaces:

When people use the old “trans women can’t be in women’s space because they are triggering” argument I just want to stab myself, or possibly someone else, in the eye with a rusty fork.

You know the one: “we can’t have trans women in our domestic violence shelter because they look like men” or “trans women can come to our play party, we guess, but they have to keep their panties on because their genitals are evil phallic symbols of oppression which trigger us (never mind all the CAFAB butches and bois rocking out with their cocks out at all our events).”

There is just so much wrong with this I can hardly even begin to unpack it—

There’s the assumption that all trans women look a certain way. There’s cissexist ideals of what a woman looks like. There’s the idea that what a trans woman looks like is more important than her right to access services for women (and therefore more important than the fact that she IS a woman at all). There’s all the cissexist junk around genitals. There’s the non-consensual projecting of ‘male power’ and oppression onto somebody who is not male and is in fact oppressed by the patriarchy… on and on and on…

There’s all that, and then there’s also the REALLY slimy trick of trying to frame trans exclusion as a freaking DISABILITY ACCESS ISSUE.

RANT ABOUT POST TRAUMATIC STRESS DISORDER AHEAD

have PTSD. I actually get triggered. And this argument makes me want to scream: You keep saying that word ‘trigger.’ I do not think it means what you think it means.

I can get triggered by ANYTHING. Some of my personal triggers include: yuppie guys with pony tails, motel rooms, tie dye (I am not freaking kidding!), certain songs, any loud or sudden noise at all, and people coming up from behind me. I have known other people with PTSD whose triggers included slightly browned bananas, balloons, and all kinds of other random things you can’t possible anticipate would trigger anyone.

Basically, everyone’s trauma is different, so everyone’s triggers are different.

You cannot co-opt our triggers neatly into one political position— specifically, cissexist pseudofeminism. They will not fit. Some of us may indeed be triggered by that trans woman over there, but some of us are equally likely to be triggered by that mega entitled butch over there, or by the shirt that you are wearing. And guess what? Most of us have realized that our triggers actually have nothing to do with the people and things who bring them on.

Making a space “accessible” for people with PTSD by eliminating all conceivable triggers is not POSSIBLE. ANYTHING can be a trigger.

This is EXTRA SPECIALLY HOLY FUCK TRUE when the space in question is a big old kinky play party with people screaming, fucking, bleeding, getting hit, tied up, held down, etc. all over the place!

People with PTSD who choose to enter those spaces have probably worked through their issues enough to feel ready.

In the case of a rape crises center or domestic violence shelter, the situation is even more disgusting— it privileges the hypothetical triggers of cis women over trans women’s actually safety.

Always, always, cis women’s tirggers are more important than trans women’s.

I hear a lot of people throwing the word “triggering” around who don’t seem to understand what it means. Being “triggered” does not mean “feeling kind of freaked out” or “being squicked” or “being reminded of something unpleasant or painful.” When I say I am triggered I mean I am in a physical state of panic when the adrenaline really gets going, my heart is racing, and my reptile brain genuinely thinks I AM GOING TO DIE.

Is that REALLY what you mean?

Or do you actually mean people will start recoiling in transphobic disgust and fear from the trans woman quietly standing in a corner feeling uncomfortable and wishing somebody would talk to her at your (fucking awful) party? Do you mean people will feel weirded out, grossed out, and phobic? Do you mean they will feel “unsafe” because they’ve absorbed a cissexist idea of what a woman is and have been taught that trans women are dangerous perverts?

Say what you mean, transphobes— and keep my fucking disability out of it.


Nov 28

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